"I Go Back to May 1937" by Sharon Olds

I see them standing at the formal gates of their colleges,
I see my father strolling out
under the ochre sandstone arch, the
red tiles glinting like bent
plates of blood behind his head, I
see my mother with a few light books at her hip
standing at the pillar made of tiny bricks with the
wrought-iron gate still open behind her, its
sword-tips black in the May air,
they are about to graduate, they are about to get married,
they are kids, they are dumb, all they know is they are
innocent, they would never hurt anybody.
I want to go up to them and say Stop,
don't do it--she's the wrong woman,
he's the wrong man, you are going to do things
you cannot imagine you would ever do,
you are going to do bad things to children,
you are going to suffer in ways you never heard of,
you are going to want to die. I want to go
up to them there in the late May sunlight and say it,
her hungry pretty blank face turning to me,
her pitiful beautiful untouched body,
his arrogant handsome blind face turning to me,
his pitiful beautiful untouched body,
but I don't do it. I want to live. I
take them up like the male and female
paper dolls and bang them together
at the hips like chips of flint as if to
strike sparks from them, I say
Do what you are going to do, and I will tell about it.

"Negotiations" by Morgan Askenaizer

Negotiations

When my mother does
the treadmill she
watches taped
Harvard lectures on

argumentation in
order to better deduct
and induct the five foot
eight frames of her

daughters to the power
of seventeen.

So as she jogs
farther away into
the heavens,
she is quantifying
and qualifying the

space between the
perfect parabola of
truth and her
running sneakers.

It is after a fight we
push parallels against
her bedroom door,
my mother
repeats what she's
learned from the tapes:

No, No, No, No, No

When a wolf wakes
my sister up in the
middle of the night
she syas it sounds
like a spirit cursing
the treadmill of eternity or, perhaps,
the fact that it can
no longer wear
running shoes.

The spirit of my
mother moored
to the door, needs
neither shoes nor argument--

get out, she says,
get out of this room

but I have never
been in.


Morgan Askeneizer studies at The Eastman School of Music.

"What to Remember When Waking" by David Whyte

What to Remember When Waking


In that first
hardly noticed
moment
in which you wake,
coming back
to this life
from the other
more secret,
moveable
and frighteningly
honest
world
where everything
began,
there is a small
opening
into the new day
which closes
the moment
you begin
your plans.

What you can plan
is too small
for you to live.
What you can live
wholeheartedly
will make plans
enough
for the vitality
hidden in your sleep.

To be human
is to become visible
while carrying
what is hidden
as a gift to others.

To remember
the other world
in this world
is to live in your
true inheritance.

You are not
a troubled guest
on this earth,
you are not
an accident
amidst other accidents
you were invited
from another and greater
night
than the one
from which
you have just emerged.

Now, looking through
the slanting light
of the morning
window toward
the mountain
presence
of everything
that can be,
what urgency
calls you to your
one love? What shape
waits in the seed
of you to grow
and spread
its branches
against a future sky?

Is it waiting
in the fertile sea?
In the trees
beyond the house?
In the life
you can imagine
for yourself?
In the open
and lovely
white page
on the waiting desk?

David Whyte

"The Sun" by Mary Oliver

The Sun

Have you ever seen
anything
in your life
more wonderful

than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon

and into the clouds or the hills,
or the rumpled sea,
and is gone--
and how it slides again

out of the blackness,
every morning,
on the other side of the world,
like a red flower

streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance--
and have you ever felt for anything
such wild love--
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure

that fills you,
as the sun
reaches out,
as it warms you

as you stand there,
empty-handed--
or have you too
turned from this world--

or have you too
gone crazy
for power,
for things?

Mary Oliver

"At Blackwater Pond " by Mary Oliver

At Blackwater Pond

At Blackwater Pond
the tossed waters have settled
after a night of rain.
I dip my cupped hands. I drink
a long time. It tastes
like stone, leaves, fire. It falls cold
into my body, waking the bones.
I hear them
deep inside me, whispering
oh what is that beautiful thing
that just happened?

Mary Oliver

"V", from Given by Wendell Berry

V.

I know for a while again
the health of self-forgetfulness,
looking out at the sky through
a notch in the valley side,
the black woods wintry on
the hills, small clouds at sunset
passing across. And I know
that this is one of those thresholds
between Earth and Heaven,
from which even I may step
forth from my self and be free.

-Wendell Berry, from
Given: Poems, “Sabbaths 2000, V”

"Sometimes" by Sheenagh Pugh

Sometimes

Sometimes things don’t go, after all,
from bad to worse. Some years, muscadel
faces down frost; green thrives; the crops don’t fail,
sometimes a man aims high, and all goes well.

A people sometimes will step back from war,
elect an honest man; decide they care
enough, that they can’t leave some stranger poor.
Some men become what they were born for.

Sometimes our best intentions do not go
amiss; sometimes we do as we meant to.
The sun will sometimes melt a field of sorrow
that seemed hard frozen: may it happen for you.

– Sheenagh Pugh